Setting the Scene (Record no. 2859)
[ view plain ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01774 a2200349 4500 |
| 001 - CONTROL NUMBER | |
| control field | 1138570117 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250317100416.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250312042017GB eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781138570115 |
| 037 ## - SOURCE OF ACQUISITION | |
| Source of stock number/acquisition | Taylor & Francis |
| Terms of availability | GBP 47.99 |
| Form of issue | BB |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 01 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AMX |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | ATD |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AMVD |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | TN |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | RP |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AMX |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AN |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AMVD |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | TN |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | RP |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | ARC000000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | ARC005000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 725.8220904 |
| Source | bisac |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Alistair Fair |
| 245 10 - TITLE STATEMENT | |
| Title | Setting the Scene |
| Remainder of title | Perspectives on Twentieth-Century Theatre Architecture |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Oxford |
| Name of publisher, distributor, etc. | Routledge |
| Date of publication, distribution, etc. | 20171012 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 270 p |
| 520 ## - SUMMARY, ETC. | |
| Expansion of summary note | During the twentieth century, an increasingly diverse range of buildings and spaces was used for theatre. Theatre architecture was re-formed by new approaches to staging and performance, while theatre was often thought to have a reforming role in society. Innovation was accompanied by the revival and reinterpretation of older ideas. The contributors to this volume explore these ideas in a variety of contexts, from detailed discussions of key architects’ work (including Denys Lasdun, Peter Moro, Cedric Price and Heinrich Tessenow) to broader surveys of theatre in West Germany and Japan. Other contributions examine the Malmö Stadsteater, ’ideal’ theatres in post-war North America, ’found space’ in 1960s New York, and Postmodernity in 1980s East Germany. Together these essays shed new light on this complex building type and also contribute to the wider architectural history of the twentieth century. |
No items available.