Sounds and Sights of Performance in Early Music (Record no. 2955)
[ view plain ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 02320 a2200289 4500 |
| 001 - CONTROL NUMBER | |
| control field | 1138264989 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250317100416.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250312042016GB eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781138264984 |
| 037 ## - SOURCE OF ACQUISITION | |
| Source of stock number/acquisition | Taylor & Francis |
| Terms of availability | GBP 52.99 |
| Form of issue | BB |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 01 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AVLA |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 6MB |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 6RC |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AVGC2 |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | MUS000000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | MUS041000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 781.430902 |
| Source | bisac |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Maureen Epp |
| 245 10 - TITLE STATEMENT | |
| Title | Sounds and Sights of Performance in Early Music |
| Remainder of title | Essays in Honour of Timothy J. McGee |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Oxford |
| Name of publisher, distributor, etc. | Routledge |
| Date of publication, distribution, etc. | 20161111 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 310 p |
| 520 ## - SUMMARY, ETC. | |
| Expansion of summary note | The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Brian E. Power |
| Relationship | B01 |
No items available.