Style and the Nineteenth-Century British Critic (Record no. 3054)
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000 -LEADER | |
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fixed length control field | 02053 a2200289 4500 |
001 - CONTROL NUMBER | |
control field | 113862070X |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250317100417.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 250312042020GB eng |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781138620704 |
037 ## - SOURCE OF ACQUISITION | |
Source of stock number/acquisition | Taylor & Francis |
Terms of availability | GBP 21.99 |
Form of issue | BB |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | 01 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | eng |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | KNTP2 |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | NH |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JBCT |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | KNTJ |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | H |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JFD |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | LIT000000 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | 828.80809 |
Source | bisac |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Jason Camlot |
245 10 - TITLE STATEMENT | |
Title | Style and the Nineteenth-Century British Critic |
Remainder of title | Sincere Mannerisms |
250 ## - EDITION STATEMENT | |
Edition statement | 1 |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Place of publication, distribution, etc. | Oxford |
Name of publisher, distributor, etc. | Routledge |
Date of publication, distribution, etc. | 20201218 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 206 p |
520 ## - SUMMARY, ETC. | |
Expansion of summary note | In analyzing the nonfiction works of writers such as John Wilson, J. S. Mill, De Quincy, Ruskin, Arnold, Pater, and Wilde, Jason Camlot provides an important context for the nineteenth-century critic's changing ideas about style, rhetoric, and technologies of communication. In particular, Camlot contributes to our understanding of how new print media affected the Romantic and Victorian critic's sense of self, as he elaborates the ways nineteenth-century critics used their own essays on rhetoric and stylistics to speculate about the changing conditions for the production and reception of ideas and the formulation of authorial character. Camlot argues that the early 1830s mark the moment when a previously coherent tradition of pragmatic rhetoric was fragmented and redistributed into the diverse, localized sites of an emerging periodicals market. Publishing venues for writers multiplied at midcentury, establishing a new stylistic norm for criticism-one that affirmed style as the manifestation of English discipline and objectivity. The figure of the professional critic soon subsumed the authority of the polyglot intellectual, and the later decades of the nineteenth century brought about a debate on aesthetics and criticism that set ideals of Saxon-rooted 'virile' style against more culturally inclusive theories of expression. |
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