Twentieth-Century British and American Theatre (Record no. 3239)
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000 -LEADER | |
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fixed length control field | 02247 a2200301 4500 |
001 - CONTROL NUMBER | |
control field | 1138359823 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250317100419.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 250312042020GB eng |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781138359826 |
037 ## - SOURCE OF ACQUISITION | |
Source of stock number/acquisition | Taylor & Francis |
Terms of availability | GBP 34.99 |
Form of issue | BB |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | 01 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | eng |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | DSBH |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | ATD |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | DSBH |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | AN |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | LIT020000 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | LIT000000 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | 792.09730904 |
Source | bisac |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Christopher Innes |
245 10 - TITLE STATEMENT | |
Title | Twentieth-Century British and American Theatre |
Remainder of title | A Critical Guide to Archives |
250 ## - EDITION STATEMENT | |
Edition statement | 1 |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Place of publication, distribution, etc. | Oxford |
Name of publisher, distributor, etc. | Routledge |
Date of publication, distribution, etc. | 20201207 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 316 p |
520 ## - SUMMARY, ETC. | |
Expansion of summary note | First published in 1999, this volume aims to develop the field of theatre studies by promoting the study of performative elements and thus fostering their consideration in the critical interpretation of dramatic literature. The authors additionally suggest ways of approaching and evaluating the work of individual performers, as well as of directors, designers and producers. It is an archival guide which covers manuscript and ephemera, rather than published texts, and attempts to indicate the potential value of the documentary material listed. This unique reference guide provides descriptions and evaluations of archive manuscript materials and ephemera relating to twentieth-century British and American theatre. Over 100 archives across Europe, North America and Britain were examined in the compilation of this volume. The documents include: unpublished playscripts; state and costume designs; directors' books; prompt books; lighting plots; stage photos; correspondence; theatre programmes. One hundred and seventy five entries are arranged alphabetically and cover playwrights, directors, designers and actors. By its nature, theatre is a collaborative enterprise, a facet which is recognised in the comprehensive cross-referencing of entries. The last twenty years has seen a shift in drama studies from text-based criticism to analysis of performance. The materials covered in this book have therefore become essential to future research in the field. |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Katherine Carlstrom |
Relationship | A01 |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Scott Fraser |
Relationship | A01 |
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