Approaches to the Anglo and American Female Epic, 1621-1982 (Record no. 3614)

MARC details
000 -LEADER
fixed length control field 01751 a2200253 4500
001 - CONTROL NUMBER
control field 1351126016
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111555.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042019GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781351126014
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 28.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code DSB
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code DSB
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT020000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 820.99287
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Bernard Schweizer
245 10 - TITLE STATEMENT
Title Approaches to the Anglo and American Female Epic, 1621-1982
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20190208
300 ## - PHYSICAL DESCRIPTION
Extent 238 p
520 ## - SUMMARY, ETC.
Expansion of summary note Epic has long been regarded as the exclusive domain of the male literary genius and as an incarnation of patriarchal values. This provocative collection of essays challenges such a hegemonic stereotype by demonstrating the ways in which women writers have successfully adapted the masculine epic tradition to suit their own aesthetic needs and to express their own heroic literary, social, and historical visions. Bringing the female epic out of the shadows, the contributors rethink generic boundaries to illuminate this heretofore hidden literary practice. The essays range from Mary Tighe to Rebecca West from Elizabeth Barrett Browning to Gwendolyn Brooks, and from Frances Burney to Virginia Woolf. Bernard Schweizer's introduction, titled 'Muses with Pens,' connects the trajectory of ideas and influences in the individual essays to demonstrate how each participates in reclaiming for women writers a place in the development of a female epic tradition. The volume will be an invaluable resource for scholars working on issues related to genre, canon formation, and the evolution of female literary authority.

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