Authorship Roles in Popular Music (Record no. 3705)

MARC details
000 -LEADER
fixed length control field 01697 a2200373 4500
001 - CONTROL NUMBER
control field 1317672739
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111556.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042015GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781317672739
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 44.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AVLP
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Subject category code AVX
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Subject category code JBCC1
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Subject category code JBCT
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Subject category code NH
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Subject category code 6PB
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Subject category code 6RF
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072 7# - SUBJECT CATEGORY CODE
Subject category code AVGP
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Subject category code AVX
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Subject category code JFCA
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Subject category code JFD
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Subject category code H
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072 7# - SUBJECT CATEGORY CODE
Subject category code MUS000000
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Subject category code MUS049000
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072 7# - SUBJECT CATEGORY CODE
Subject category code 781.64
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Ron Moy
245 10 - TITLE STATEMENT
Title Authorship Roles in Popular Music
Remainder of title Issues and Debates
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20150619
300 ## - PHYSICAL DESCRIPTION
Extent 184 p
520 ## - SUMMARY, ETC.
Expansion of summary note Authorship Roles in Popular Music applies the critical concept of auteur theory to popular music via different aspects of production and creativity. Through critical analysis of the music itself, this book contextualizes key concepts of authorship relating to gender, race, technology, originality, uniqueness, and genius and raises important questions about the cultural constructions of authenticity, value, class, nationality, and genre. Using a range of case studies as examples, it visits areas as diverse as studio production, composition, DJing, collaboration, performance and audience. This book is an essential introduction to the critical issues and debates surrounding authorship in popular music. It is an ideal resource for students, researchers, and scholars in popular musicology and cultural studies.

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