Automaton in English Renaissance Literature (Record no. 3710)

MARC details
000 -LEADER
fixed length control field 02121 a2200337 4500
001 - CONTROL NUMBER
control field 1317040805
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111556.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781317040804
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 56.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code DSB
Source thema
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Subject category code NHAH
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Subject category code PDX
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Subject category code N
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Subject category code 3M
Source bisac
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Subject category code DSBD
Source bic
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Subject category code HBAH
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Subject category code PDX
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Subject category code HBLH
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Subject category code SCI034000
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Subject category code LIT000000
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072 7# - SUBJECT CATEGORY CODE
Subject category code 820.9356
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Wendy Beth Hyman
245 10 - TITLE STATEMENT
Title Automaton in English Renaissance Literature
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160323
300 ## - PHYSICAL DESCRIPTION
Extent 222 p
520 ## - SUMMARY, ETC.
Expansion of summary note The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical, and scientific contexts. While no single theory or perspective conscribes the volume, taken as a whole the collection helps correct an assumption that frequently emerges from a post-Enlightenment perspective: that these animated beings are by definition exemplars of the new science, or that they point necessarily to man's triumphant relationship to technology. On the contrary, automata in the sixteenth and seventeenth centuries seem only partly and sporadically to function as embodiments of an emerging mechanistic or materialist worldview. Renaissance automata were just as likely not to confirm for viewers a hypothesis about the man-machine. Instead, these essays show, automata were often a source of wonder, suggestive of magic, proof of the uncannily animating effect of poetry-indeed, just as likely to unsettle the divide between man and divinity as that between man and matter.

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