Cognitive Basis of Aesthetics (Record no. 4114)
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fixed length control field | 02335 a2200505 4500 |
001 - CONTROL NUMBER | |
control field | 1317228669 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250317111601.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 250312042016GB 10 eng |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781317228660 |
037 ## - SOURCE OF ACQUISITION | |
Source of stock number/acquisition | Taylor & Francis |
Terms of availability | GBP 44.99 |
Form of issue | BB |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | 01 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | eng |
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072 7# - SUBJECT CATEGORY CODE | |
Subject category code | 111.85 |
Source | bisac |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Elena Fell |
245 10 - TITLE STATEMENT | |
Title | Cognitive Basis of Aesthetics |
Remainder of title | Cassirer, Crowther, and the Future |
250 ## - EDITION STATEMENT | |
Edition statement | 1 |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Place of publication, distribution, etc. | Oxford |
Name of publisher, distributor, etc. | Routledge |
Date of publication, distribution, etc. | 20160414 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 180 p |
520 ## - SUMMARY, ETC. | |
Expansion of summary note | This book seeks to fill a void in contemporary aesthetics scholarship by considering the cognitive features that make the aesthetic and artistic worthy of philosophical study. Aesthetic cognition has been largely abandoned by analytical philosophy, which instead tends to focus its attention on the ‘non-exhibited’ properties of artwork or issues concerning semantic and syntactic structure. The Cognitive Basis of Aesthetics innovatively seeks to correct the marginalization of aesthetics in analytical philosophy by reinterpreting aesthetic cognition through an integration of Ernst Cassirer’s philosophy of symbolic forms with Paul Crowther’s theory of imagination and philosophy of art. This integration has three important outcomes: 1) it explains why the aesthetic and artistic constitute a unique form of knowledge; 2) it shows the role this plays in the formation of aesthetics as a discipline; and 3) it describes why aesthetic cognition is so deeply engaging. This book’s unique theoretical approach engages with important works of visual, conceptual, and digital art, as well as literature, music, and theatre. |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Ioanna Kopsiafti |
Relationship | A01 |
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