Cognitive Basis of Aesthetics (Record no. 4114)

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fixed length control field 02335 a2200505 4500
001 - CONTROL NUMBER
control field 1317228669
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111601.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB 10 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781317228660
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 44.99
Form of issue BB
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Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
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Subject category code 111.85
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Elena Fell
245 10 - TITLE STATEMENT
Title Cognitive Basis of Aesthetics
Remainder of title Cassirer, Crowther, and the Future
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160414
300 ## - PHYSICAL DESCRIPTION
Extent 180 p
520 ## - SUMMARY, ETC.
Expansion of summary note This book seeks to fill a void in contemporary aesthetics scholarship by considering the cognitive features that make the aesthetic and artistic worthy of philosophical study. Aesthetic cognition has been largely abandoned by analytical philosophy, which instead tends to focus its attention on the ‘non-exhibited’ properties of artwork or issues concerning semantic and syntactic structure. The Cognitive Basis of Aesthetics innovatively seeks to correct the marginalization of aesthetics in analytical philosophy by reinterpreting aesthetic cognition through an integration of Ernst Cassirer’s philosophy of symbolic forms with Paul Crowther’s theory of imagination and philosophy of art. This integration has three important outcomes: 1) it explains why the aesthetic and artistic constitute a unique form of knowledge; 2) it shows the role this plays in the formation of aesthetics as a discipline; and 3) it describes why aesthetic cognition is so deeply engaging. This book’s unique theoretical approach engages with important works of visual, conceptual, and digital art, as well as literature, music, and theatre.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Ioanna Kopsiafti
Relationship A01

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