Fairy Tales of Oscar Wilde (Record no. 4829)

MARC details
000 -LEADER
fixed length control field 01576 a2200265 4500
001 - CONTROL NUMBER
control field 1317032136
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111610.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781317032137
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 42.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code DSBF
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code DSY
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code DSBF
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code DSY
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 823.8
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Jarlath Killeen
245 10 - TITLE STATEMENT
Title Fairy Tales of Oscar Wilde
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160316
300 ## - PHYSICAL DESCRIPTION
Extent 202 p
520 ## - SUMMARY, ETC.
Expansion of summary note Oscar Wilde's two collections of children's literature, The Happy Prince and Other Stories (1888) and A House of Pomegranates (1891), have often been marginalised in critical accounts as their apparently conservative didacticism appears at odds with the characterisation of Wilde as an amoral aesthete. In this, the first full-length study of Wilde's fairy tales for children, Jarlath Killeen argues that Wilde's stories are neither uniformly conservative nor subversive, but a blend of both. Killeen contends that while they should be read in relation to a literary tradition of fairy tales that emerged in nineteenth century Europe; Irish issues heavily influenced the work. These issues were powerfully shaped by the 'folk Catholicism' Wilde encountered in the west of Ireland. By resituating the fairy tales in a complex nexus of theological, political, social, and national concerns, Killeen restores the tales to their proper place in the Wilde canon.

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