Indian Horror Cinema (Record no. 5306)
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000 -LEADER | |
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fixed length control field | 02332 a2200409 4500 |
001 - CONTROL NUMBER | |
control field | 1351386484 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250317111615.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 250312042017GB eng |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781351386487 |
037 ## - SOURCE OF ACQUISITION | |
Source of stock number/acquisition | Taylor & Francis |
Terms of availability | GBP 45.99 |
Form of issue | BB |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | 01 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | eng |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JBCT |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JBCC1 |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JBSF |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | GTM |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | NH |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | 1FK |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JFD |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JFCA |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JFSJ |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | GTB |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | H |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | 1FK |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | PER004000 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | SOC022000 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | PER004040 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | SOC008000 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | SOC053000 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | 791.436164 |
Source | bisac |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Mithuraaj Dhusiya |
245 10 - TITLE STATEMENT | |
Title | Indian Horror Cinema |
Remainder of title | (En)gendering the Monstrous |
250 ## - EDITION STATEMENT | |
Edition statement | 1 |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Place of publication, distribution, etc. | Oxford |
Name of publisher, distributor, etc. | Routledge India |
Date of publication, distribution, etc. | 20170913 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 322 p |
520 ## - SUMMARY, ETC. | |
Expansion of summary note | This book studies the hitherto overlooked genre of horror cinema in India. It uncovers some unique and diverse themes that these films deal with, including the fear of the unknown, the supernatural, occult practices, communication with spirits of the deceased, ghosts, reincarnation, figures of vampires, zombies, witches and transmutations of human beings into non-human forms such as werewolves. It focusses on the construction of feminine and masculine subjectivities in select horror films across seven major languages – Hindi, Tamil, Telugu, Kannada, Bangla, Marathi and Malayalam. The author shows that the alienation of the body and bodily functions through the medium of the horror film serves to deconstruct stereotypes of caste, class, gender and anthropocentrism. Some riveting insights emerge thus, such as the masculinist undertow of the possession narrative and how complex structures of resistance accompany the anxieties of culture via the dread of laughter. This original account of Indian cinematic history is accessible yet strongly analytical and includes an exhaustive filmography. The book will interest scholars and researchers in film studies, media and cultural studies, art, popular culture and performance, literature, gender, sociology, South Asian studies, practitioners, filmmakers as well as cinephiles. |
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