Masculinity and Emotion in Early Modern English Literature (Record no. 5813)

MARC details
000 -LEADER
fixed length control field 01472 a2200265 4500
001 - CONTROL NUMBER
control field 1351919407
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111621.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781351919401
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 52.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code DSB
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code DDA
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code DSBD
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code DDS
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 820.9353
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Jennifer C. Vaught
245 10 - TITLE STATEMENT
Title Masculinity and Emotion in Early Modern English Literature
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20161205
300 ## - PHYSICAL DESCRIPTION
Extent 256 p
520 ## - SUMMARY, ETC.
Expansion of summary note The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught bases her analysis on the epic, lyric, and romance as well as on drama, pastoral writings and biography, by Shakespeare, Spenser, Sidney, Marlowe, Jonson and Garrick among other writers. Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century.

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