Music and Theology in Nineteenth-Century Britain (Record no. 5998)

MARC details
000 -LEADER
fixed length control field 01803 a2200289 4500
001 - CONTROL NUMBER
control field 1317092252
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111623.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781317092254
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 52.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AVLA
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code QRA
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code 6RA
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code AVGC5
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code HRA
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS048000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 780.023
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Martin Clarke
245 10 - TITLE STATEMENT
Title Music and Theology in Nineteenth-Century Britain
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160422
300 ## - PHYSICAL DESCRIPTION
Extent 280 p
520 ## - SUMMARY, ETC.
Expansion of summary note The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.

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