Critical Essays in Popular Musicology (Record no. 675)

MARC details
000 -LEADER
fixed length control field 01645 a2200289 4500
001 - CONTROL NUMBER
control field 113838352X
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100356.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042019GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138383524
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 46.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AVLP
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code AVA
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code 6PB
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 6RF
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code AVGP
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code AVA
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS020000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS000000
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Allan F. Moore
245 10 - TITLE STATEMENT
Title Critical Essays in Popular Musicology
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20190612
300 ## - PHYSICAL DESCRIPTION
Extent 632 p
520 ## - SUMMARY, ETC.
Expansion of summary note Critical Essays in Popular Musicology is an essential reference work which reproduces in facsimile form many of the most important and innovative journal articles and papers in the field, along with an introductory overview by the editor Allan Moore. The volume is designed to improve access to the most significant, concise English-language writing, which articulates and demonstrates some of the key constituents of a popular musicology. It avoids those pieces which have been published in other collections. The essays are divided into two parts - those that articulate the key questions of popular musicology, which discuss contexts for addressing texts, and those that demonstrate the discipline in practice, which actually address those texts. This is a valuable volume for libraries expanding their collections in musicology and popular music studies and will provide scholars and graduate students with a convenient and authoritative reference source.

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