Robin Hood in Outlaw/ed Spaces (Record no. 6886)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01995 a2200445 4500 |
| 001 - CONTROL NUMBER | |
| control field | 1317062043 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250317111633.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250312042016GB eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781317062042 |
| 037 ## - SOURCE OF ACQUISITION | |
| Source of stock number/acquisition | Taylor & Francis |
| Terms of availability | GBP 42.99 |
| Form of issue | BB |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 01 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
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| Subject category code | NHTB |
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| Subject category code | HIS000000 |
| Source | bisac |
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| Subject category code | HIS054000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | LIT004190 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 820.9351 |
| Source | bisac |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Lesley Coote |
| 245 10 - TITLE STATEMENT | |
| Title | Robin Hood in Outlaw/ed Spaces |
| Remainder of title | Media, Performance, and Other New Directions |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Oxford |
| Name of publisher, distributor, etc. | Routledge |
| Date of publication, distribution, etc. | 20161110 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 250 p |
| 520 ## - SUMMARY, ETC. | |
| Expansion of summary note | Following in the tradition of recent work by cultural geographers and historians of maps, this collection examines the apparently familiar figure of Robin Hood as he can be located within spaces that are geographical, cultural, and temporal. The volume is divided into two sections: the first features an interrogation of the literary and other textually transmitted spaces to uncover the critical grounds in which the Robin Hood ’legend’ has traditionally operated. The essays in Part Two take up issues related to performative and experiential space, demonstrating the reciprocal relationship between page, stage, and lived experience. Throughout the volume, the contributors contend with, among other things, modern theories of gender, literary detective work, and the ways in which the settings that once advanced court performances now include digital gaming and the enactment of ’real’ lives. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Valerie Johnson |
| Relationship | B01 |
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