Shylock on the Stage (Record no. 7225)

MARC details
000 -LEADER
fixed length control field 01121 a2200325 4500
001 - CONTROL NUMBER
control field 1317638743
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111637.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042014GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781317638742
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 44.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code DDA
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code ATD
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code AFKP
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code DDS
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code AN
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code AFKP
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT015000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code DRA010000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code PER001000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code PER011000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 792.95
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Toby Lelyveld
245 10 - TITLE STATEMENT
Title Shylock on the Stage
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20140813
300 ## - PHYSICAL DESCRIPTION
Extent 162 p
520 ## - SUMMARY, ETC.
Expansion of summary note Originally published in 1961, this book is a study of the ways actors since the time of Shakespeare have portrayed the character of Shylock. A pioneering work in the study of performance history as well as in the portrayal of Jews in English literature. Specifically it studies Charles Macklin, Edmund Kean, Edwin Booth, Henry Irving and more recent performers.

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