Staging the Peninsular War (Record no. 7370)

MARC details
000 -LEADER
fixed length control field 02257 a2200337 4500
001 - CONTROL NUMBER
control field 1317050703
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111638.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781317050704
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 39.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code ATD
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Subject category code DSBF
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Subject category code NHTB
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Subject category code NHW
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Subject category code AN
Source bic
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Subject category code DSBF
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Subject category code HBTB
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Subject category code HBW
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Subject category code PER011000
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Subject category code LIT020000
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Subject category code LIT000000
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072 7# - SUBJECT CATEGORY CODE
Subject category code 792.094109034
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Susan Valladares
245 10 - TITLE STATEMENT
Title Staging the Peninsular War
Remainder of title English Theatres 1807-1815
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160309
300 ## - PHYSICAL DESCRIPTION
Extent 472 p
520 ## - SUMMARY, ETC.
Expansion of summary note From Napoleon's invasion of Portugal in 1807 to his final defeat at Waterloo, the English theatres played a crucial role in the mediation of the Peninsular campaign. In the first in-depth study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. Exploring the role of spectacle in the mediation of war and the links between theatrical productions and print culture, she argues that the popularity of theatre-going and the improvisation and topicality unique to dramatic performance make the theatre an ideal lens for studying the construction of the Peninsular War in the public domain. Without simplifying the complex issues involved in the study of citizenship, communal identities, and ideological investments, Valladares recovers a wartime theatre that helped celebrate military engagements, reform political sympathies, and register the public’s complex relationship with Britain’s military campaign in the Iberian Peninsula. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and helped shape public feeling on the Peninsular campaign.

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