Documenting Industry (Record no. 8257)

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000 -LEADER
fixed length control field 02882 a2200505 4500
001 - CONTROL NUMBER
control field 1040260926
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250328151422.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250324022025GB 150 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781040260920
Qualifying information EA
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 49.99
Form of issue BB
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Original cataloging agency 01
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Language code of text/sound track or separate title eng
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Ranu Roychoudhuri
245 10 - TITLE STATEMENT
Title Documenting Industry
Remainder of title Photography, Aesthetics and Labor in India
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge India
Date of publication, distribution, etc. 20250314
300 ## - PHYSICAL DESCRIPTION
Extent 182 p
520 ## - SUMMARY, ETC.
Expansion of summary note Whether a smoky portrait of a coal mine or a sweeping shot of workers building an immense dam, photographs of established and emerging industries fundamentally shaped the visual culture and politics of South Asia in the decades after independence. This volume engages with the image of the laboring body against monumental machines, dams, and infrastructure and the ways in which photography engages with strands of modernist aesthetics to support new modes of seeing the changing industrial landscape and the human body. The multidisciplinary essays in the book embrace the porosity of “documentary” and “journalistic” photography and draw out questions of aesthetics in relation to both modernizing calls to industry and modernist framings of the visual in India. The book looks back at photographs from the twentieth and twenty-first centuries and critically considers post-World War II industry—with its imagery of factories belching pollutants into the air and the reality of massive displacements of workers due to epidemics, floods, and drought. It analyzes these images in relation to contemporaneous understandings of aesthetics and in dialogue with recent understandings of the global climate crisis. The volume probes the co-constitution of industry and photography in postcolonial India by looking at selected sites of industrial and artistic practices and their interwoven histories. Part of the Visual Media and Histories Series, this book will be of interest to students and researchers of the history of photography, visual media studies, Indian history, art history, cultural studies, and South Asian studies.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Rebecca M. Brown
Relationship B01

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