Hard Looks (Record no. 8401)

MARC details
000 -LEADER
fixed length control field 01787 a2200265 4500
001 - CONTROL NUMBER
control field 1040290884
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250328151424.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250324042024GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781040290880
Qualifying information EA
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 33.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code JBCT
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code NH
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code JFD
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code H
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code SOC052000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 658.834
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Sean Nixon
245 10 - TITLE STATEMENT
Title Hard Looks
Remainder of title Masculinities, Spectatorship and Contemporary Consumption
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20241101
300 ## - PHYSICAL DESCRIPTION
Extent 252 p
520 ## - SUMMARY, ETC.
Expansion of summary note Hard Looks is a fascinating examination of the new masculine imagery that has developed in relation to popular consumption over the last decade. the author skilfully investigates the development of this 'new man' imagery and its relationship to contemporary formations of masculinity and masculine culture. Focusing on the emergence in the mid-1980s of a wide range of new representations of masculinity in the retail, advertising and publishing industries, the author analyses the practices and derives used to underpin the production and circulation of this imagery. The author traces the novelty of these commercially produced representations and analyses their role in producing a space for an ambivalent masculine sexual identity. Drawing strongly on contemporary cultural theory, Hard Looks combines stimulating theoretical debates on representation and cultural identity with authoritative empirical research on the media and retail industries. This lively and innovative study will prove essential reading for sociologists interested in the study of men and masculinities and students of culture, media and gender studies.

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