Transnational Television History (Record no. 8870)

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000 -LEADER
fixed length control field 02444 a2200445 4500
001 - CONTROL NUMBER
control field 103292862X
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250328151430.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250324042024GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781032928623
Qualifying information BC
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 39.99
Form of issue BB
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Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
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Subject category code JHMC
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Subject category code SOC052000
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Subject category code 621.388009
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Andreas Fickers
245 10 - TITLE STATEMENT
Title Transnational Television History
Remainder of title A Comparative Approach
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20241014
300 ## - PHYSICAL DESCRIPTION
Extent 182 p
520 ## - SUMMARY, ETC.
Expansion of summary note Although television has developed into a major agent of the transnational and global flow of information and entertainment, television historiography and scholarship largely remains a national endeavour, partly due to the fact that television has been understood as a tool for the creation of national identity. But the breaking of the quasi-monopoly of public service broadcasters all over Europe in the 1980s has changed the television landscape, and cross-border television channels - with the help of satellite and the Internet - have catapulted the relatively closed television nations into the universe of globalized media channels. At least, this is the picture painted by the popular meta-narratives of European television history. Transnational Television History asks us to re-evaluate the function of television as a medium of nation-building in its formative years and to reassess the historical narrative that insists that European television only became transnational with the emergence of more commercial services and new technologies from the 1980s. It also questions some common assumptions in television historiography by offering some alternative perspectives on the complex processes of transnational circulation of television technology, professionals, programmes and aesthetics. This book was originally published as a special issue of Media History.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Catherine Johnson
Relationship B01

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