Automated Lighting (Record no. 10126)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01370 a2200229 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250526161923.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250430042017GB 300 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781138850903 |
| Qualifying information | BC |
| 037 ## - SOURCE OF ACQUISITION | |
| Source of stock number/acquisition | Taylor & Francis |
| Terms of availability | GBP 54.99 |
| Form of issue | BB |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 01 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | ATD |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AN |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | PER011000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 778.5343 |
| Source | bisac |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Richard Cadena |
| 9 (RLIN) | 126 |
| 245 10 - TITLE STATEMENT | |
| Title | Automated Lighting |
| Remainder of title | The Art and Science of Moving and Color-Changing Lights |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 3 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Oxford |
| Name of publisher, distributor, etc. | Routledge |
| Date of publication, distribution, etc. | 20171123 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 530 p |
| 520 ## - SUMMARY, ETC. | |
| Expansion of summary note | Automated Lighting: The Art and Science of Moving and Color-Changing Lights , Third Edition (formerly Automated Lighting: The Art and Science of Moving Light ) continues to be the most trusted text for working and aspiring lighting professionals. Now in its third edition, it has been fully updated to reflect the vast changes in stage and studio luminairies—including LEDs, switch-mode power supplies, optics, networking, Ethernet-based protocols like Art-Net and sACN, wireless DMX, and much more. Its written in clear, easy-to-understand language and includes enough detailed information to benefit for the most experienced technicians, programmers, and designers. Additional content and resources are provided at the author's website www.automatedlighting.pro. |
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