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Barrie Kosky on the Contemporary Australian Stage (Record no. 10134)

MARC details
000 -LEADER
fixed length control field 01977 a2200325 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250526161923.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250430042021GB 20 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780367407841
Qualifying information BB
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 135.00
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AVLF
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Subject category code AFKP
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Subject category code ATDF
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Subject category code AVGC9
Source bic
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Subject category code AFKP
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Subject category code ANF
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072 7# - SUBJECT CATEGORY CODE
Subject category code MUS028000
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Subject category code PER011020
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Subject category code PER011010
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Subject category code PER000000
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Subject category code PER011000
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Subject category code 792.0994
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Charlotte Farrell
9 (RLIN) 137
245 10 - TITLE STATEMENT
Title Barrie Kosky on the Contemporary Australian Stage
Remainder of title Affect, Post-Tragedy, Emergency
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20210917
300 ## - PHYSICAL DESCRIPTION
Extent 140 p
520 ## - SUMMARY, ETC.
Expansion of summary note This is the first book-length study of Australian theatre productions by internationally-renowned director, Barrie Kosky . Now a prolific opera director in Europe, Barrie Kosky on the Contemporary Australian Stage accounts for the formative years of Kosky's career in Australia. This book provides in-depth engagements with select productions including The Dybbuk which Kosky directed with Gilgul theatre company in 1991, as well as King Lear (1998), The Lost Echo (2006), and Women of Troy (2008). Using affect theory as a prism through which these works are analysed, the book accounts for the director's particular engagement with – and radical departure from – classical tragedy in contemporary performance: what the book defines as Kosky's 'post-tragedies'. Theatre studies scholars and students, particularly those with interests in affect, contemporary performance, 'director's theatre', and tragedy, will benefit from Barrie Kosky on the Contemporary Australian Stage ’s vivid engagement with Kosky's work: a director who has become a singular figure in opera and theatre of international critical acclaim.

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