Centring Women in Bollywood Biopics (Record no. 10170)
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|---|---|
| fixed length control field | 02131 a2200433 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250526161924.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250430042024GB 62 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781032421902 |
| Qualifying information | BB |
| 037 ## - SOURCE OF ACQUISITION | |
| Source of stock number/acquisition | Taylor & Francis |
| Terms of availability | GBP 135.00 |
| Form of issue | BB |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 01 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
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| Subject category code | PER004040 |
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| Subject category code | SOC032000 |
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| Subject category code | SOC052000 |
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| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 791.430954 |
| Source | bisac |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Chandrava Chakravarty |
| 9 (RLIN) | 195 |
| 245 10 - TITLE STATEMENT | |
| Title | Centring Women in Bollywood Biopics |
| Remainder of title | Empowerment and Agency in Contemporary Indian Cinema |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Oxford |
| Name of publisher, distributor, etc. | Routledge |
| Date of publication, distribution, etc. | 20241028 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 200 p |
| 520 ## - SUMMARY, ETC. | |
| Expansion of summary note | This book explores the dramatic rise in popularity of the women’s biopic in contemporary Bollywood, within the context of wider cultural shifts over the past decade. Delving into the societal shifts reflected in the genre, both on and off screen, the book explores the contours of individual agency and the centring of women in Indian cinema. The book offers new insight into women-centric Hindi biopics, a fast-rising genre carving out a tradition of its own, with female directors and actors contributing to this rising postfeminist celebration of women’s agency and individuality. The authors posit that the alternative narratives, created by Bollywood and accepted by mainstream audiences, have become a catalyst to elevate women or female actors to protagonists, without the need to conform to the sexist mores of mainstream Bollywood. This book will be of interest to scholars, researchers and upper-level students in the areas of film studies, media industries, gender and feminism, and South Asian studies. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Sneha Kar Chaudhuri |
| Relationship | A01 |
| 9 (RLIN) | 196 |
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