Contemporary Worship Music and Everyday Musical Lives (Record no. 10208)

MARC details
000 -LEADER
fixed length control field 01797 a2200325 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250526161925.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250430042018GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138615892
Qualifying information BC
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 45.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code QRA
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Subject category code JBCC1
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Subject category code QRM
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Subject category code AVLP
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Subject category code 6PB
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Subject category code 6RF
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Subject category code HRA
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Subject category code JFCA
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Subject category code HRC
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Subject category code AVGP
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Subject category code MUS000000
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072 7# - SUBJECT CATEGORY CODE
Subject category code 781.71
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Mark Porter
9 (RLIN) 254
245 10 - TITLE STATEMENT
Title Contemporary Worship Music and Everyday Musical Lives
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20180628
300 ## - PHYSICAL DESCRIPTION
Extent 198 p
520 ## - SUMMARY, ETC.
Expansion of summary note Whilst Contemporary Worship Music arose out of a desire to relate the music of the church to the music of everyday life, this function can quickly be called into question by the diversity of musical lives present in contemporary society. Mark Porter examines the relationship between individuals’ musical lives away from a Contemporary Worship Music environment and their diverse experiences of music within it, presenting important insights into the complex and sometimes contradictory relationships between congregants’ musical lives within and outside of religious worship. Through detailed ethnographic investigation Porter challenges common evangelical ideals of musical neutrality, suggesting the importance of considering musical tastes and preferences through an ethical lens. He employs cosmopolitanism as an interpretative framework for understanding the dynamics of diverse musical communities, positioning it as a stronger alternative to common assimilationist and multiculturalist models.

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