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“Don’t Forget The Pierrots!'' The Complete History of British Pierrot Troupes & Concert Parties (Record no. 10252)

MARC details
000 -LEADER
fixed length control field 02667 a2200661 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250526161926.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250430042022GB 240 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780367489205
Qualifying information BB
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 145.00
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
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Language code of text/sound track or separate title eng
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Tony Lidington
9 (RLIN) 344
245 10 - TITLE STATEMENT
Title “Don’t Forget The Pierrots!'' The Complete History of British Pierrot Troupes & Concert Parties
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20220930
300 ## - PHYSICAL DESCRIPTION
Extent 406 p
520 ## - SUMMARY, ETC.
Expansion of summary note This volume is the first authoritative historical textbook to look at the origins, development and evolution of seaside pierrot troupes and concert parties and their popular performance heritage. It will provide, for the first time, a definition of the pierrot troupe and its evolution from the roots of European popular traditions such as the commedia dell’arte and minstrelsy, to links between music hall and contemporary popular culture. Tony Lidington will explore how pierrot troupes grew from a single idea into a major international cultural industry and how it boosted morale and national identity during the two World Wars, before sublimating into contemporary pop music and comedy. Tony’s continuing practice as research provides an experiential framework for the historical and ethnographic analysis of the form. This book will be of vital interest to students, researchers, and performers of outdoor ( al fresco ) arts, clowning and comedy, minstrelsy, vernacular music-making and music hall.

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