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First We Take Manhattan (Record no. 1081)

MARC details
000 -LEADER
fixed length control field 01270 a2200289 4500
001 - CONTROL NUMBER
control field 3718658860
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100359.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312041997GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783718658862
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 48.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code ATD
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code ATQ
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code AN
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code ASD
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code PER000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code PER003000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code PER011000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 792.8
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Diana Theodores
245 10 - TITLE STATEMENT
Title First We Take Manhattan
Remainder of title Four American Women and the New York School of Dance Criticism
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 19970908
300 ## - PHYSICAL DESCRIPTION
Extent 200 p
520 ## - SUMMARY, ETC.
Expansion of summary note Four American women: Marcia Siegel, Deborah Jowitt, Arlene Croce and Nancy Goldner are writers who became dance critics partly by design. By showing us extensive examples from their vivid writing about dance, Diana Theodores presents a detailed and illuminating analysis of their styles and ideas from 1965 to 1985, the Golden Age of Dance in New York. For the first time, she presents these four writers as a school of dance criticism, four women who defined American dance in a key era of its recent history. About the Author

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