Galerie Espagnole and the Museo Nacional 1835–1853 (Record no. 1169)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01701 a2200337 4500 |
| 001 - CONTROL NUMBER | |
| control field | 1138259799 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250317100400.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250312042017GB eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781138259799 |
| 037 ## - SOURCE OF ACQUISITION | |
| Source of stock number/acquisition | Taylor & Francis |
| Terms of availability | GBP 52.99 |
| Form of issue | BB |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 01 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AGA |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | GLZ |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | NHTB |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AB |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 3MN |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 3M |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | ACV |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | GM |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | HBTB |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AB |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 3J |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | ART015000 |
| Source | bisac |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Alisa Luxenberg |
| 245 10 - TITLE STATEMENT | |
| Title | Galerie Espagnole and the Museo Nacional 1835–1853 |
| Remainder of title | Saving Spanish Art, or the Politics of Patrimony |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Oxford |
| Name of publisher, distributor, etc. | Routledge |
| Date of publication, distribution, etc. | 20170331 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 298 p |
| 520 ## - SUMMARY, ETC. | |
| Expansion of summary note | An important and critical re-evaluation of the Galerie Espagnole, this book presents new interpretations of the special collection of Spanish (or purportedly Spanish) paintings formed under Louis-Philippe and exhibited in the Louvre from 1838 through 1848. Alisa Luxenberg undertakes a new examination of the Parisian collection in relation to its lesser-known Spanish homologue, the Museo Nacional in Madrid, a collection of mostly old master Spanish paintings and sculptures that was formed at the very same time. Revealing the political agendas behind each museum, and the different manners in which their goals were pursued, Luxenberg analyzes the critical and visual reception of the collections as well as their intersection with contemporary debates about aesthetics and patrimony, the role of the art museum, and national and international politics. |
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