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General History of Chinese Film III (Record no. 1187)

MARC details
000 -LEADER
fixed length control field 02068 a2200421 4500
001 - CONTROL NUMBER
control field 1032123036
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100400.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042021GB 128 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781032123035
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 175.00
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code JBCT
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Subject category code 1FPC
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Subject category code JFD
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Subject category code HIS000000
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Subject category code 791.430951
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Ding Yaping
245 10 - TITLE STATEMENT
Title General History of Chinese Film III
Remainder of title 1976–2016
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20211227
300 ## - PHYSICAL DESCRIPTION
Extent 398 p
520 ## - SUMMARY, ETC.
Expansion of summary note The Reform and Opening-up of China since the late 1970s has not only transformed the economic and political situation of the country but also transformed the Chinese film industry. This volume focuses on the 40 years of the history of Chinese film in the post-Mao era. As all aspects of film production, distribution, and exhibition have been commercialized, Chinese film has become an industry of immense scale and has grown by leaps and bounds. Meanwhile, contemporary Chinese film is marked by a new zeitgeist, with Chinese film closely integrated with Chinese society and the economy. The author argues that the Chinese film industry clearly stands at a turning point where the future of Chinese film and the way to further awaken, change, and shape film production have become important issues worth consideration in contemporary film history. The book will be an essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers to develop a comprehensive understanding of Chinese film.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Jin Haina
Relationship B06

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