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Good Quire of Voices: The Provision of Choral Music at St.George's Chapel, Windsor Castle and Eton College, c.1640-1733 (Record no. 1266)

MARC details
000 -LEADER
fixed length control field 01487 a2200253 4500
001 - CONTROL NUMBER
control field 1138736503
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100401.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042019GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138736504
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 205.00
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code JHB
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code JHB
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code SOC000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code SOC026000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 782.220942296
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Keri Dexter
245 10 - TITLE STATEMENT
Title Good Quire of Voices: The Provision of Choral Music at St.George's Chapel, Windsor Castle and Eton College, c.1640-1733
Remainder of title The Provision of Choral Music at St.George's Chapel, Windsor Castle and Eton College, c.1640-1733
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20191128
300 ## - PHYSICAL DESCRIPTION
Extent 600 p
520 ## - SUMMARY, ETC.
Expansion of summary note This title was first published in 2002: Until relatively recently, musicologists' account of church music in post-Restoration and early Georgian England has been substantially incomplete due to an almost exclusive preoccupation with the music and musicians of the Chapel Royal. The balance is now being redressed and this book begins the task of filling one of the remaining gaps in our understanding of the field. The volume represents a detailed examination of the practical workings of a choral foundation during the later 17th and early 18th centuries, placing the musicians within their wider historical and social contexts, and based on a comprehensive survey of extant archival material.

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