Imagining Heaven in the Middle Ages (Record no. 1466)

MARC details
000 -LEADER
fixed length control field 02005 a2200241 4500
001 - CONTROL NUMBER
control field 1138012068
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100403.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042014GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138012066
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 55.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code DSBB
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code DSBB
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 236.24
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Jan S. Emerson
245 10 - TITLE STATEMENT
Title Imagining Heaven in the Middle Ages
Remainder of title A Book of Essays
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20140319
300 ## - PHYSICAL DESCRIPTION
Extent 364 p
520 ## - SUMMARY, ETC.
Expansion of summary note Medieval attempts to capture a glimpse of heaven range from the ethereal to the mundane, utilizing media as diverse as maps, cathedrals, songs, treatises, poems, visions and sewer systems. Heaven was at once the goal of the individual Christian life and the end of the cosmic plan. It was, simply stated, perfection. But interpretations varied from the traditional to the dangerously unique as artists and authors, theologians and visionaries struggled to define that perfection. Depending on the source, heaven's attributes vary from height to depth, darkness to light, silence to symphony; the souls within it from activity to passivity, experience to essence, participation to distant admiration. Questions addressed in this anthology include: Are erotic and spiritual love mutually exclusive? Does the soul's happiness depend on the resurrection of the body? What will be the nature of the transfigured body? Will it retain its gender? Will it have senses? Will it know desire? How can desire and fulfillment exist together? Can the human soul ever know God? Contributors to this volume examine well-known and previously unexplored texts and artefacts from historical and art historical, theological, philosophical, and literary perspectives, to complement and challenge more general surveys of the history of heaven, and above all to illuminate the richness and variety of medieval Christian ideas on heaven.

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