Music and Orientalism in the British Empire, 1780s–1940s (Record no. 2033)

MARC details
000 -LEADER
fixed length control field 01901 a2200301 4500
001 - CONTROL NUMBER
control field 1138265160
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100408.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138265165
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 55.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AVLA
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code 6RA
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code AVGC5
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS006000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS017000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS033000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 780.9171241
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Bennett Zon
245 10 - TITLE STATEMENT
Title Music and Orientalism in the British Empire, 1780s–1940s
Remainder of title Portrayal of the East
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20161115
300 ## - PHYSICAL DESCRIPTION
Extent 368 p
520 ## - SUMMARY, ETC.
Expansion of summary note Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Martin Clayton
Relationship B01

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