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Orient Strikes Back (Record no. 2202)

MARC details
000 -LEADER
fixed length control field 01993 a2200277 4500
001 - CONTROL NUMBER
control field 1859733336
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100410.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042000GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781859733332
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 29.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code JHM
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code JHM
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code SOC002000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code BUS081000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code HIS039000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code SOC002010
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 306.480952
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Joy Hendry
245 10 - TITLE STATEMENT
Title Orient Strikes Back
Remainder of title A Global View of Cultural Display
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20001001
300 ## - PHYSICAL DESCRIPTION
Extent 288 p
520 ## - SUMMARY, ETC.
Expansion of summary note At the turn of the 20th Century, Japanese ‘villages' and their exotic occupants delighted and mystified visitors to the Great Exhibitions and Worlds' Fairs . At the beginning of the 21st Century, Japanese tourists have reversed the gaze and now may visit a range of European ‘countries', as well as several other cultural worlds, without ever leaving the shores of Japan. This book suggests that these and other exciting Asian theme parks pose a challenge to Western notions of leisure, education, and entertainment. Is this a case of reverse orientalism? Or is it simply a commercial follow-up on the success of Tokyo Disneyland? Is it an appropriation by one rich nation of a whole world of cultural delights from the countries that have influenced its twentieth-century success? Can the parks be seen as political statements about the heritage on which Japan now draws so freely? Or are they new forms of ethnographic museum? Examining Japanese parks in the context of a variety of historical examples of cultural display in Europe, the U.S. and Australia, as well as other Asian examples, the author calls into question the too easy adoption of postmodern theory as an ethnocentrically Western phenomenon and clearly shows that Japan has given theme parks an entirely new mode of interpretation.

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