Performing Arts in Contemporary China (Record no. 2259)

MARC details
000 -LEADER
fixed length control field 01291 a2200301 4500
001 - CONTROL NUMBER
control field 1138978191
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100410.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138978195
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 22.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code GTM
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code 1F
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code GTB
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code 1F
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code POL000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code REF000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code SOC008000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code SOC053000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 790.20951
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Colin Mackerras
245 10 - TITLE STATEMENT
Title Performing Arts in Contemporary China
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160121
300 ## - PHYSICAL DESCRIPTION
Extent 272 p
520 ## - SUMMARY, ETC.
Expansion of summary note First published in 1981.<br/><br/>The overthrow of the 'gang of four' in October 1976 had profound effects in all areas of Chinese society, and probably nowhere can this be more clearly seen than in the performing arts. Jiang Qing, Mao Zedong's widow, was strongly interested in the performing arts and exercised great influence over them. This book describes her influence and the effects its removal had on the arts. Although the period covered is mainly that since the death of Mao, there is also considerable reference to the years following the Cultural Revolution.

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