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Playing with Gender (Record no. 2309)

MARC details
000 -LEADER
fixed length control field 01421 a2200313 4500
001 - CONTROL NUMBER
control field 1902653246
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100411.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042001GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781902653242
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 49.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AB
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code ATD
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code DSG
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code AB
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code AN
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code DSG
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT013000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code FOR000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code LAN000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 852.6
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Maggie Gunsberg
245 10 - TITLE STATEMENT
Title Playing with Gender
Remainder of title The Comedies of Goldoni
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20011201
300 ## - PHYSICAL DESCRIPTION
Extent 282 p
520 ## - SUMMARY, ETC.
Expansion of summary note This work takes gender as its point of entry into the comedies of Carlo Goldoni (1707-93). The dramatization of femininity and masculinity is explored in conjunction with that of other social categories (class, the family, and age). The plays reinforce the patriarchal association of femininity with the body, with spectacle, and with theatricality, while the dramatic backdrop of Venice and carnival provides a context for the staging of issues relating to identity, disguise and fashion. In the plays, pretence and theatricality vie with bourgeois Enlightenment values of morality, honesty and respectability to produce dramatic tension with distinct gender implications.

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