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Richard Brautigan (Record no. 2666)

MARC details
000 -LEADER
fixed length control field 01707 a2200361 4500
001 - CONTROL NUMBER
control field 0367347350
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100414.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042021GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780367347352
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 32.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code DSA
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Subject category code DSBH
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Subject category code 1KB
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Subject category code DSA
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Subject category code DSK
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Subject category code DSBH
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Subject category code 1KB
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Subject category code LIT024050
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Subject category code LIT000000
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Subject category code LIT009000
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Subject category code LIT020000
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Subject category code LIT025000
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Subject category code 813.54
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Marc Chénetier
245 10 - TITLE STATEMENT
Title Richard Brautigan
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20211001
300 ## - PHYSICAL DESCRIPTION
Extent 98 p
520 ## - SUMMARY, ETC.
Expansion of summary note Few contemporary American writers have been subjected to as much laudatory abuse as Richard Brautigan who, having become famous in the 1960s, was made a cult figure for the hippy generation and was systematically refused recognition as a major novelist once the sentimental wave of the ‘greening of America’ had passed. Marc Chénetier’s study, originally published in 1983, was the first book to attempt to assess Brautigan’s writing art which, far from weakening over the years, had become, amid critical indifference, more secure in its techniques, more all-encompassing in its strategy and more iconoclastic in its goals. In analysing most of Brautigan’s fictional works in the light of his poetics, it examines the mechanisms of his metafictional and deconstructive offensive and indicates the direction in which Brautigan was moving at the time.

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