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Body in Performance (Record no. 289)

MARC details
000 -LEADER
fixed length control field 01493 a2200277 4500
001 - CONTROL NUMBER
control field 9057551454
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100352.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042001GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789057551451
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 41.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AFKP
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code ATDC
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code AFKP
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code ANC
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code PER000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code PER011000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 792.022
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Patrick Campbell
245 10 - TITLE STATEMENT
Title Body in Performance
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20010307
300 ## - PHYSICAL DESCRIPTION
Extent 120 p
520 ## - SUMMARY, ETC.
Expansion of summary note Lively yet intriguing, The Body in Performance is a varied collection of essays about this much-discussed area. Posing the question "Why this current preoccupation with the performed body?" the collection of specially commissioned essays from both academics and practitioners - in some cases one and the same person - considers such cutting edge topics as the abject body and performance, censorship and live art, the presentation of violence on stage, carnal art, and the vexed issue of mimesis in the theatre. Drawing variously on the work of Franko B., Orlan, Annie Sprinkle, Karen Finley, and Forced Entertainment, it concludes with a creative piece about a 'Famous New York Performance Artist.' Contributors include Rebecca Schneider whose book The Explicit Body in Performance is a key text in this area, and Joan Lipkin, director and writer.

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