Time Present and Time Past (Record no. 3165)

MARC details
000 -LEADER
fixed length control field 02035 a2200277 4500
001 - CONTROL NUMBER
control field 1138258512
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100418.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042017GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138258518
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 52.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AB
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code AGA
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code 3MN
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code AB
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code ACV
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code ART016000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 759.2
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Paul Barlow
245 10 - TITLE STATEMENT
Title Time Present and Time Past
Remainder of title The Art of John Everett Millais
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20170306
300 ## - PHYSICAL DESCRIPTION
Extent 240 p
520 ## - SUMMARY, ETC.
Expansion of summary note John Everett Millais (1829-1896) is undoubtedly among the most important of Victorian artists. In his day, and our own, he remains also the most controversial. While, during his lifetime, controversy centred around his early Pre-Raphaelite paintings, in particular Christ in the house of his Parents (1850), during the twentieth century the most intense criticism has been directed towards Millais's later works, such as Bubbles (1886), which has been widely condemned as sentimental 'kitsch'. These later paintings have been held up as the epitome of the degradation of art, against which avant-garde and Modernist pioneers struggled. None of the existing literature on Millais addresses the fundamental problem that this double-identity reveals. While there is extensive material on the Pre-Raphaelite movement in general, Millais's own work after the 1850s is rarely discussed in detail, despite the fact that he lived and worked for another 30 years after his abandonment of the Pre-Raphaelite style. Time Present and Time Past: The Art of John Everett Millais presents the first comprehensive account of Millais's artistic career from beginning to end. The book considers the question of 'high' and 'low' cultural status in debates during Millais's own day, and in subsequent critical thinking, situating Millais's art as a whole within this cultural framework.

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