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What Painting Is (Record no. 3399)

MARC details
000 -LEADER
fixed length control field 01398 a2200337 4500
001 - CONTROL NUMBER
control field 1138319880
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100420.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042019GB 30 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138319882
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 36.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AB
Source thema
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Subject category code AF
Source thema
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Subject category code AGA
Source thema
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Subject category code AB
Source bic
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Subject category code AF
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072 7# - SUBJECT CATEGORY CODE
Subject category code ACB
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code ART015000
Source bisac
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Subject category code ART000000
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072 7# - SUBJECT CATEGORY CODE
Subject category code ART020000
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Subject category code ART062000
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Subject category code SOC052000
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072 7# - SUBJECT CATEGORY CODE
Subject category code 750.18
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name James Elkins
245 10 - TITLE STATEMENT
Title What Painting Is
250 ## - EDITION STATEMENT
Edition statement 2
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20191220
300 ## - PHYSICAL DESCRIPTION
Extent 262 p
520 ## - SUMMARY, ETC.
Expansion of summary note In this classic text, James Elkins communicates the experience of painting beyond the traditional vocabulary of art history. Alchemy provides a strange language to explore what it is a painter really does in the studio—the smells, the mess, the struggle to control the uncontrollable, the special knowledge only painters hold of how colors will mix, and how they will look. Written from the perspective of a painter-turned-art historian, this anniversary edition includes a new introduction and preface by Elkins in which he further reflects on the experience of painting and its role in the study of art today.

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