Word of Mouth (Record no. 3437)

MARC details
000 -LEADER
fixed length control field 01195 a2200253 4500
001 - CONTROL NUMBER
control field 1138997544
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100421.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138997547
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 49.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code D
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code D
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code PSY026000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 809.93355
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Susanne M. Skubal
245 10 - TITLE STATEMENT
Title Word of Mouth
Remainder of title Food and Fiction After Freud
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160718
300 ## - PHYSICAL DESCRIPTION
Extent 182 p
520 ## - SUMMARY, ETC.
Expansion of summary note An examination of the importance of oral experience as reflected in literature, Word of Mouth extends psychoanalytic theory as forwarded by Freud, Karl Abraham, Melanie Klein, and Julia Kristeva. The meaning of oral experience is explored with reference to several texts, looking at the oral bond between mother and child in Proust and questions of disordered eating, raised by aggressive orality, found in Conrad's Heart of Darkness . Throughout, the author draws forth the myriad expressions relating the desires and dramas of the mouth, its pervasive pleasures and its dreads.

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