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Carl Van Vechten and the Harlem Renaissance (Record no. 363)

MARC details
000 -LEADER
fixed length control field 01572 a2200241 4500
001 - CONTROL NUMBER
control field 1138969869
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100353.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138969865
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 49.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code NH
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code HB
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code HIS000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 813.52
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Leon Coleman
245 10 - TITLE STATEMENT
Title Carl Van Vechten and the Harlem Renaissance
Remainder of title A Critical Assessment
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160808
300 ## - PHYSICAL DESCRIPTION
Extent 198 p
520 ## - SUMMARY, ETC.
Expansion of summary note This book evaluates Carl Van Vechten's contribution to the Harlem Renaissance by presenting hitherto unexamined documentary evidence. The author draws on correspondence, manuscripts, personal memorabilia, and published materials to examine the origins and development of the period in the 1920s which was termed the New Negro Renaissance. In the later years of the 1920s, as a result of the success of his novel, Nigger Heaven, Carl Van Vechten received extensive publicity associating him with Harlem and with the Harlem Renaissance. The vehement controversy which the book aroused among African American critics and the black press, who attacked it, and the African American authors and friends of Van Vechten who defended it, obscured the true extent of Van Vechten's role in the Harlem Renaissance. This study sheds light on the Van Vechten controversy which has continued to the present day. (Ph.D. dissertation, University of Minnesota, 1969; revised with new preface)

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