Beckett and Musicality (Record no. 3728)
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| 000 -LEADER | |
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| fixed length control field | 02306 a2200361 4500 |
| 001 - CONTROL NUMBER | |
| control field | 1317175905 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250317111556.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250312042016GB eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781317175902 |
| 037 ## - SOURCE OF ACQUISITION | |
| Source of stock number/acquisition | Taylor & Francis |
| Terms of availability | GBP 42.99 |
| Form of issue | BB |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 01 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AVLA |
| Source | thema |
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| Subject category code | ATD |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | DSBH |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AVA |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 3MP |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AVGC6 |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AN |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | DSBH |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AVA |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | MUS020000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | PER011000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | MUS000000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 780.92 |
| Source | bisac |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Sara Jane Bailes |
| 245 10 - TITLE STATEMENT | |
| Title | Beckett and Musicality |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Oxford |
| Name of publisher, distributor, etc. | Routledge |
| Date of publication, distribution, etc. | 20160415 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 302 p |
| 520 ## - SUMMARY, ETC. | |
| Expansion of summary note | Discussion concerning the ’musicality’ of Samuel Beckett’s writing now constitutes a familiar critical trope in Beckett Studies, one that continues to be informed by the still-emerging evidence of Beckett’s engagement with music throughout his personal and literary life, and by the ongoing interest of musicians in Beckett’s work. In Beckett’s drama and prose writings, the relationship with music plays out in implicit and explicit ways. Several of his works incorporate canonical music by composers such as Schubert and Beethoven. Other works integrate music as a compositional element, in dialogue or tension with text and image, while others adopt rhythm, repetition and pause to the extent that the texts themselves appear to be ’scored’. But what, precisely, does it mean to say that a piece of prose or writing for theatre, radio or screen, is ’musical’? The essays included in this book explore a number of ways in which Beckett’s writings engage with and are engaged by musicality, discussing familiar and less familiar works by Beckett in detail. Ranging from the scholarly to the personal in their respective modes of response, and informed by approaches from performance and musicology, literary studies, philosophy, musical composition and creative practice, these essays provide a critical examination of the ways we might comprehend musicality as a definitive and often overlooked attribute throughout Beckett’s work. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Nicholas Till |
| Relationship | A01 |
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