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Charles Dickens's Great Expectations (Record no. 3953)

MARC details
000 -LEADER
fixed length control field 01906 a2200325 4500
001 - CONTROL NUMBER
control field 1317168259
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111559.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781317168256
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 42.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code KNTP2
Source thema
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Subject category code DSBF
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Subject category code NH
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Subject category code JBCT
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Subject category code KNTJ
Source bic
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Subject category code DSBF
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Subject category code H
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Subject category code JFD
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Subject category code LIT020000
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Subject category code LIT000000
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Subject category code 823.8
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Mary Hammond
245 10 - TITLE STATEMENT
Title Charles Dickens's Great Expectations
Remainder of title A Cultural Life, 1860–2012
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160303
300 ## - PHYSICAL DESCRIPTION
Extent 312 p
520 ## - SUMMARY, ETC.
Expansion of summary note Great Expectations has had a long, active and sometimes surprising life since its first serialized appearance in All the Year Round between 1 December 1860 and 3 August 1861. In this new publishing and reception history, Mary Hammond demonstrates that while Dickens’s thirteenth novel can tell us a great deal about the dynamic mid-Victorian moment into which it was born, its afterlife beyond the nineteenth-century Anglophone world reveals the full extent of its versatility. Re-assessing generations of Dickens scholarship and using newly discovered archival material, Hammond covers the formative history of Great Expectations' early years, analyses the extent and significance of its global reach, and explores the ways in which it has functioned as literature and stage, TV, film and radio drama from its first appearance to the latest film version of 2012. Appendices include contemporary reviews and comprehensive bibliographies of adaptations and translations. The book is a rich resource for scholars and students of Dickens; of comparative literature; and of publishing, readership, and media history.

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