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Contemporary Cinematographers on Their Art (Record no. 4231)

MARC details
000 -LEADER
fixed length control field 01809 a2200241 4500
001 - CONTROL NUMBER
control field 1136045783
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111602.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312041998GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781136045783
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 51.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code ATF
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code APF
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code PER004000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 778.53
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Pauline B Rogers
245 10 - TITLE STATEMENT
Title Contemporary Cinematographers on Their Art
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 19980119
300 ## - PHYSICAL DESCRIPTION
Extent 240 p
520 ## - SUMMARY, ETC.
Expansion of summary note The twelve interviews in this book cover all aspects of cinematography from pre-production planning to post-production, special effects, aerial photography, and second unit. Each interview gives a behind-the-scenes look at how some of the most popular shots in movies and television shows were lit and captured. Technically and philosophically oriented, Contemporary Cinematographers on Their Art explores the tools, trends, personalities, and professional achievements of contemporary cinematographers, highlighting the behind-the-scenes struggles of the business of making motion pictures. Each chapter delves into the personal challenges, political properties, inter-departmental interactions, and artistic achievements of the artists who bring scripts to life through their choice of cameras, lights, lenses, filters, gels, and other supporting equipment. Covering a variety of film and television genres--from soaps to half-hour sitcoms, to cable and network productions and low- and big-budget features--each interview explores the tools cinematographers use to capture their shots, from traditional equipment to innovative camera and lighting "toys," as well as the integration of mechanical and computer graphic effects.

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