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From the chanson française to the canzone d'autore in the 1960s and 1970s (Record no. 4925)

MARC details
000 -LEADER
fixed length control field 02107 a2200289 4500
001 - CONTROL NUMBER
control field 1317131681
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111611.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781317131687
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 42.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AVLP
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code 6PB
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 6RF
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code AVGP
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS017000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS015000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 782.421640944
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Rachel Haworth
245 10 - TITLE STATEMENT
Title From the chanson française to the canzone d'autore in the 1960s and 1970s
Remainder of title Authenticity, Authority, Influence
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160303
300 ## - PHYSICAL DESCRIPTION
Extent 212 p
520 ## - SUMMARY, ETC.
Expansion of summary note The similarities between the chanson française and the canzone d'autore have been often noted but never fully explored. Both genres are national forms which involve the figure of the singer-songwriter, both experienced their golden age of production in the post-World War II period and both are enduringly popular, still accounting for a large proportion of record sales in their respective countries. Rachel Haworth looks beyond these superficial similarities, and investigates the nature of the relationship between the two genres. Taking a multidisciplinary approach, encompassing textual analysis of song lyrics, cultural history and popular music studies, Haworth considers the different ways in which French and Italian song is thought about, written about and constructed. Through an in-depth study of the discourse surrounding chanson and the canzone d'autore, the volume analyses the development of the genres' rules and rhetoric, identifying the key themes of Authority, Authenticity and Influence. The book finally considers the legacy of major artists, looking at modern perspectives on Georges Brassens, Jacques Brel, Léo Ferré, Fabrizio De André and Giorgio Gaber, ultimately affording a deeper understanding of the notions of quality and value in the context of chanson française and the canzone d'autore.

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