India’s Biennale Effect (Record no. 5315)
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| fixed length control field | 01864 a2200409 4500 |
| 001 - CONTROL NUMBER | |
| control field | 1315413477 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250317111615.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250312042016GB 216 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781315413471 |
| 037 ## - SOURCE OF ACQUISITION | |
| Source of stock number/acquisition | Taylor & Francis |
| Terms of availability | GBP 41.99 |
| Form of issue | BB |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 01 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
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| Subject category code | JB |
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| Subject category code | ART019000 |
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| Subject category code | ART026000 |
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| Subject category code | ART015000 |
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| Subject category code | SOC000000 |
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| Subject category code | SOC008000 |
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| Subject category code | SOC053000 |
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| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 709.540745456 |
| Source | bisac |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Robert E. D'Souza |
| 245 10 - TITLE STATEMENT | |
| Title | India’s Biennale Effect |
| Remainder of title | A politics of contemporary art |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Oxford |
| Name of publisher, distributor, etc. | Routledge India |
| Date of publication, distribution, etc. | 20161014 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 292 p |
| 520 ## - SUMMARY, ETC. | |
| Expansion of summary note | India’s Kochi-Muziris Biennale has been described as one of the most significant newly emergent biennales, alongside Shanghai, Sharjah and Dakar. However, there have been few sustained and critical studies of these events as specific sites of production and reception of contemporary art. This book, engaging with the Kochi Biennale, provides detailed examination of what the editors term as the ‘biennale effect’ — a layered contestation of place, economics, art and politics. It presents a close reading of the unique context of the biennale as well as sets out a broader critical framework for understanding global contemporary art and its effects. Replete with illustrations, this book will serve as an important and rare resource for scholars and researchers of contemporary art, art history, visual cultures, and media studies. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Sunil Manghani |
| Relationship | B01 |
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