Comedy and the Public Sphere (Record no. 537)

MARC details
000 -LEADER
fixed length control field 01322 a2200289 4500
001 - CONTROL NUMBER
control field 1138920665
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100355.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042015GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138920668
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 37.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code JHBA
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code ATD
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code JHBA
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code AN
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code POL000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code PER015000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code SOC026000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 792.094
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Arpad Szakolczai
245 10 - TITLE STATEMENT
Title Comedy and the Public Sphere
Remainder of title The Rebirth of Theatre as Comedy and the Genealogy of the Modern Public Arena
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20150521
300 ## - PHYSICAL DESCRIPTION
Extent 358 p
520 ## - SUMMARY, ETC.
Expansion of summary note The book aims at reframing the discussion on the "public sphere," usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture.

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