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Kingship and Love in Scottish Poetry, 1424–1540 (Record no. 5570)

MARC details
000 -LEADER
fixed length control field 01526 a2200241 4500
001 - CONTROL NUMBER
control field 1317109023
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111618.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781317109020
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 42.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code DS
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code DS
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 821.2093543
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Joanna Martin
245 10 - TITLE STATEMENT
Title Kingship and Love in Scottish Poetry, 1424–1540
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160422
300 ## - PHYSICAL DESCRIPTION
Extent 212 p
520 ## - SUMMARY, ETC.
Expansion of summary note Looking at late medieval Scottish poetic narratives which incorporate exploration of the amorousness of kings, this study places these poems in the context of Scotland's repeated experience of minority kings and a consequent instability in governance. The focus of this study is the presence of amatory discourses in poetry of a political or advisory nature, written in Scotland between the early fifteenth and the mid-sixteenth century. Joanna Martin offers new readings of the works of major figures in the Scottish literature of the period, including Robert Henryson, William Dunbar, and Sir David Lyndsay. At the same time, she provides new perspectives on anonymous texts, among them The Thre Prestis of Peblis and King Hart, and on the works of less well known writers such as John Bellenden and William Stewart, which are crucial to our understanding of the literary culture north of the Border during the period under discussion.

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