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New Jazz Conceptions (Record no. 6095)

MARC details
000 -LEADER
fixed length control field 02280 a2200385 4500
001 - CONTROL NUMBER
control field 1351973142
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111624.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042017GB 10 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781351973144
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 42.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AVLP
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code JBCC1
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072 7# - SUBJECT CATEGORY CODE
Subject category code D
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072 7# - SUBJECT CATEGORY CODE
Subject category code 6JD
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072 7# - SUBJECT CATEGORY CODE
Subject category code 6PB
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072 7# - SUBJECT CATEGORY CODE
Subject category code 6RF
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072 7# - SUBJECT CATEGORY CODE
Subject category code AVGJ
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code JFCA
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072 7# - SUBJECT CATEGORY CODE
Subject category code AVGP
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072 7# - SUBJECT CATEGORY CODE
Subject category code D
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072 7# - SUBJECT CATEGORY CODE
Subject category code MUS025000
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072 7# - SUBJECT CATEGORY CODE
Subject category code MUS020000
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072 7# - SUBJECT CATEGORY CODE
Subject category code MUS000000
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Subject category code LIT000000
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072 7# - SUBJECT CATEGORY CODE
Subject category code 781.6509
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Roger Fagge
245 10 - TITLE STATEMENT
Title New Jazz Conceptions
Remainder of title History, Theory, Practice
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20170626
300 ## - PHYSICAL DESCRIPTION
Extent 220 p
520 ## - SUMMARY, ETC.
Expansion of summary note New Jazz Conceptions: History, Theory, Practice is an edited collection that captures the cutting edge of British jazz studies in the early twenty-first century, highlighting the developing methodologies and growing interdisciplinary nature of the field. In particular, the collection breaks down barriers previously maintained between jazz historians, theorists and practitioners with an emphasis on interrogating binaries of national/local and professional/amateur. Each of these essays questions popular narratives of jazz, casting fresh light on the cultural processes and economic circumstances which create the music. Subjects covered include Duke Ellington’s relationship with the BBC, the impact of social media on jazz, a new view of the ban on visiting jazz musicians in interwar Britain, a study of Dave Brubeck as a transitional figure in the pages of Melody Maker and BBC2’s Jazz 625 , the issue of ‘liveness’ in Columbia’s Ellington at Newport album, a musician and promoter's views of the relationship with audiences, a reflection on Philip Larkin, Kingsley Amis and Eric Hobsbawm as jazz critics, a musician’s perspective on the oral and generational tradition of jazz in a British context, and a meditation on Alan Lomax’s Mr. Jelly Roll , and what it tells us about cultural memory and historical narratives of jazz.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Nicolas Pillai
Relationship B01

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