Persistence of Taste (Record no. 6292)

MARC details
000 -LEADER
fixed length control field 03196 a2200421 4500
001 - CONTROL NUMBER
control field 1317207521
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111626.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042018GB 94 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781317207528
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 42.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code GLZ
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Subject category code AGA
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Subject category code ABA
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Subject category code QDTN
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Subject category code JHM
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Subject category code JHBA
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Subject category code GM
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Subject category code AC
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Subject category code ABA
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Subject category code HPN
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Subject category code JHM
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Subject category code JHBA
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Subject category code SOC000000
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Subject category code SOC026000
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Subject category code 306.47
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Malcolm Quinn
245 10 - TITLE STATEMENT
Title Persistence of Taste
Remainder of title Art, Museums and Everyday Life After Bourdieu
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20180511
300 ## - PHYSICAL DESCRIPTION
Extent 386 p
520 ## - SUMMARY, ETC.
Expansion of summary note This book offers an interdisciplinary analysis of the social practice of taste in the wake of Pierre Bourdieu’s sociology of taste. For the first time, this book unites sociologists and other social scientists with artists and curators, art theorists and art educators, and art, design and cultural historians who engage with the practice of taste as it relates to encounters with art, cultural institutions and the practices of everyday life, in national and transnational contexts. The volume is divided into four sections. The first section on ‘Taste and art’, shows how art practice was drawn into the sphere of ‘good taste’, contrasting this with a post-conceptualist critique that offers a challenge to the social functions of good taste through an encounter with art. The next section on ‘Taste making and the museum’ examines the challenges and changing social, political and organisational dynamics propelling museums beyond the terms of a supposedly universal institution and language of taste. The third section of the book, ‘Taste after Bourdieu in Japan’ offers a case study of the challenges to the cross-cultural transmission and local reproduction of ‘good taste’, exemplified by the complex cultural context of Japan. The final section on ‘Taste, the home and everyday life’ juxtaposes the analysis of the reproduction of inequality and alienation through taste, with arguments on how the legacy of ideas of ‘good taste’ have extended the possibilities of experience and sharpened our consciousness of identity. As the first book to bring together arts practitioners and theorists with sociologists and other social scientists to examine the legacy and continuing validity of Pierre Bourdieu’s sociology of taste, this publication engages with the opportunities and problems involved in understanding the social value and the cultural dispositions of taste ‘after Bourdieu’. It does so at a moment when the practice of taste is being radically changed by the global expansion of cultural choices, and the emergence of deploying impersonal algorithms as solutions to cultural and creative decision-making.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Dave Beech
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700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Michael Lehnert
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700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Carol Tulloch
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700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Stephen Wilson
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