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Routledge Companion to the Contemporary Musical (Record no. 6947)

MARC details
000 -LEADER
fixed length control field 02345 a2200337 4500
001 - CONTROL NUMBER
control field 1134851782
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111633.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042019GB 17 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781134851782
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 43.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AVLM
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Subject category code ATD
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Subject category code AVLP
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Subject category code 6PB
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072 7# - SUBJECT CATEGORY CODE
Subject category code 6RF
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072 7# - SUBJECT CATEGORY CODE
Subject category code AVGM
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072 7# - SUBJECT CATEGORY CODE
Subject category code AN
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072 7# - SUBJECT CATEGORY CODE
Subject category code AVGP
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072 7# - SUBJECT CATEGORY CODE
Subject category code MUS046000
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072 7# - SUBJECT CATEGORY CODE
Subject category code MUS000000
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072 7# - SUBJECT CATEGORY CODE
Subject category code 792.60973
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Jessica Sternfeld
245 10 - TITLE STATEMENT
Title Routledge Companion to the Contemporary Musical
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20190816
300 ## - PHYSICAL DESCRIPTION
Extent 496 p
520 ## - SUMMARY, ETC.
Expansion of summary note The Routledge Companion to the Contemporary Musical is dedicated to the musical’s evolving relationship to American culture in the late twentieth and early twenty-first centuries. In the past decade-and-a-half, international scholars from an ever-widening number of disciplines and specializations have been actively contributing to the interdisciplinary field of musical theater studies. Musicals have served not only to mirror the sociopolitical, economic, and cultural tenor of the times, but have helped shape and influence it, in America and across the globe: a genre that may seem, at first glance, light-hearted and escapist serves also as a bold commentary on society. Forty-four essays examine the contemporary musical as an ever-shifting product of an ever-changing culture. This volume sheds new light on the American musical as a thriving, contemporary performing arts genre, one that could have died out in the post-Tin Pan Alley era but instead has managed to remain culturally viable and influential, in part by newly embracing a series of complex contradictions. At present, the American musical is a live, localized, old-fashioned genre that has simultaneously developed into an increasingly globalized, tech-savvy, intensely mediated mass entertainment form. Similarly, as it has become increasingly international in its scope and appeal, the stage musical has also become more firmly rooted to Broadway—the idea, if not the place—and thus branded as a quintessentially American entertainment.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Elizabeth L. Wollman
Relationship B01

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