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Twenty-First-Century Legacy of the Beatles (Record no. 7681)

MARC details
000 -LEADER
fixed length control field 02092 a2200313 4500
001 - CONTROL NUMBER
control field 1317012917
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111642.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781317012917
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 42.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AVLP
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code GL
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code 6PB
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 6RF
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code AVGP
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code GL
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS035000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code ART059000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 782.421660922
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Michael Brocken
245 10 - TITLE STATEMENT
Title Twenty-First-Century Legacy of the Beatles
Remainder of title Liverpool and Popular Music Heritage Tourism
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160303
300 ## - PHYSICAL DESCRIPTION
Extent 244 p
520 ## - SUMMARY, ETC.
Expansion of summary note It has taken Liverpool almost half a century to come to terms with the musical, cultural and now economic legacy of the Beatles and popular music. At times the group was negatively associated with sex and drugs images surrounding rock music: deemed unacceptable by the city fathers, and unworthy of their support. Liverpudlian musicians believe that the musical legacy of the Beatles can be a burden, especially when the British music industry continues to brand the latest (white) male group to emerge from Liverpool as ’the next Beatles’. Furthermore, Liverpudlians of perhaps differing ethnicities find images of ’four white boys with guitars and drums’ not only problematic in a ’musical roots’ sense, but for them culturally devoid of meaning and musically generic. The musical and cultural legacy of the Beatles remains complex. In a post-industrial setting in which both popular and traditional heritage tourism have emerged as providers of regular employment on Merseyside, major players in what might be described as a Beatles music tourism industry have constructed new interpretations of the past and placed these in such an order as to re-confirm, re-create and re-work the city as a symbolic place that both authentically and contextually represents the Beatles.

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